Autumn Abstract, The Tarn/ Limited Edition Print No. 1S3-5593
Autumn Essence VI/ Limited Edition Print No. 1S3-5929
Autumn Essence XIX/ Limited Edition Print No. 1S4-2619
Autumn Essence XXIX/ Limited Edition Print No. 1S6-1063
Swirl of Color/ Limited Edition Print No. 1S7-1171
Frosted Window I/ Limited Edition Print No. 1S9-0006
Star Moss/ Limited Edition Print No. 1S9-2519
Autumn Essence LIII/ Limited Edition Print No. 1S9-2740
Autumn Essence LXXV (diptych)/ Limited Edition Print No. 1S9-2895p
Autumn Ripples/ Limited Edition Print No. 2S0-0652
Mississippi River Abstract/ Limited Edition Print No. 2S1-0797
The Giant's Mouth, Kitteredge Brook/ Limited Edition Print No. 2S1-1587
Autumn Essence LXXXVIII/ Limited Edition Print No. 2S1-1649
Autumn Essence CVIII/ Limited Edition Print No. 2S1-1818
Autumn Above I/ Limited Edition Print No. 2S2-1258
Autumn Above II/ Limited Edition Print No. 2S2-1272
Autumn Essence CXVII/ Limited Edition Print No. 2S3-1670
Autumn Essence CXXII/ Limited Edition Print No. 2S3-1898
Autumn Essence CXIX/ Limited Edition Print No. 2S3-1824
Abstract Imagery
Photography is generally not an abstract medium. You point your camera at a subject, and it records what’s there in front of the lens. But I like to use my camera to make more enigmatic images, whether the subject is ripples and reflections in a pond, a splash of color in the landscape, or an image created in-camera by using camera movements during exposure. I often liken it to the Impressionist painters, who used color and brush strokes to create what an image ‘felt’ like instead of what it actually looked like. And that’s what I do with my camera; I use it more like a painter uses a brush, creating fluid, brush-like movements with my camera to build up a scene.
Signed, limited edition fine art prints are available by choosing the PRINTS link in the menu.